Working 9 til 5!

Hi all,

After many weeks of piecing our little moments together on a trial and error bases im pleased to say we are finally decided on our end product (so far).

Our piece having many names ‘the secret garden group’, ‘the pottersgate group’, ‘the potters’ to our final title ‘the clay walkers’. Being titled ‘the clay walkers’ should give the participants a better understanding of what we are doing, which is:

We are going to be separated into three different areas. Someone will start at Pottersgate measuring out lumps of clay (or in our case salt dough) and this person will be greeting our participants explaining the tasks and handing them the clay. Another person within our group will also start the day at Pottersgate as this person is going to be taking the participants up to the secret garden with their clay. The third person in our group will be starting in the Secret Garden. This person will be inviting the participants to put their clay on display with the others and ask them if they would like to stay a while maybe to have a drink with us and enjoy the beautiful scenery. This person once doing all this will then make their way down to Pottersgate to swap roles with the person stationed there. The person stationed there becomes the person that takes the participants to the secret garden and the person who took them to the secret garden last stays in the secret garden until the ‘walker’ gets there. This should rotate all day.

So what are we actually doing with the clay?

We would like our participants to meet us at Pottersgate where we hand them a piece of clay. We would like them to make a figurine of how they see themselves. They have as much time to do this as they want. When the ‘Walker’ within our group gets to Pottersgate they also make a figurine. When the ‘Walker’ is finished they ask the participants if they would like to follow them to display their figurine within the Secret Garden. If they are not ready, they simply stay there, the ‘Walker’ heads off anyway, leaving the participants to wait for the next ‘walker’.

So where did this idea come from?

We have been playing around with our sites for many weeks looking in depth in their historys and stumbled across and tried many ideas but we have always gone back to what we knew from the second week was that Pottersgate was once a communications portal that potters from different places outside the city would come through to bring their goods to sell within the town. Knowing this and being in the area we finally felt that pottery is what we intended to do. The idea of asking the participants to sculpt themselves is inspired by Antony Gormley’s instalation piece “FIELD FOR THE BRITISH ISLES”. “Antony Gormley’s FIELD FOR THE BRITISH ISLES is a startling and arresting sight: thousands of unglazed, fired, small clay figures, standing closely together, all staring towards the viewer and filling a large enclosed space. There are more figures than can be counted, more still disappearing out of sight into a further space. Their number seems to be endless.” (Searle, 1996).

When is this happenining? What is the duration of the piece?

We are performing this on Wednesday 6th May 2015. The duration of the piece will be eight hours long, we are starting at 9am in the morning and finishing at 5pm at night. This is because we are essentially working potters and we would like to do this within the working hours of the day which is usually 9am until 5pm.

Bibliography:

Searle, A. (1996) Antony Gormley: Field for the British Isles. [Online] London: Hayward Gallery. Available from: http://www.antonygormley.com/resources/essay-item/id/108 [Accessed 25 March 2015].

 

 

 

Initial ideas and sparks of inspiration

Our fourth time venturing up Steep Hill to our given site, and it was pouring it down with rain. After having brilliant blue sky and sunshine weather for the past few weeks (albeit still being very cold), it is of no surprise that it made us view the site in quite a miserable way. Despite the awful weather, we continued to explore our site and the possibilities of performance. In this session we had formed our groups, mine consisting of: Charlie, Jess, Megan and myself. We had originally tried to write messages and leave them in certain places around the cathedral and keep an eye out for passers-by to see if they would notice and comment about them. However, with the weather clearly not being in our favour and getting harder, we decided this probably wouldn’t work and took our inspiration indoors. It was in this session that we discovered how hard it is to begin creating something for Site Specific Performance – it is so open to ideas, that we could practically begin from anywhere. Struggling to spark initial ideas of where to go and what to do, we decided to think back to previous tasks we had done whilst exploring Uphill Lincoln. We thought back to last weeks session of misguided tours and our individual interests when creating our maps and decided to take a walk round the inside of the cathedral and subtly listen in to various people’s conversations. We headed to an unusual part of the Cathedral that none of us had been in, ‘Chapter House’ which happens to be where parts of the Da Vinchi Code was filmed. Having seen bits of it in the film, it was incredible to see the architecture and its brilliance in real life. We sat round on the seating area surrounding the round room and were commenting upon the organ that was placed in the room and how incredible the acoustics of the room must sound. At this moment when we were discussing this, we noticed a family come through the door: A mum, dad and two little boys. The first boy ran into the space shouting and running to the back wall and it immediately changed the atmosphere of the place we had quietly been admiring. He then sat down at the far side of the room gazing up at the ceiling. The mum, dad and the other little boy sat down on the right hand side of us, explaining to the little boy some history he knew of this room and how people in generations gone by would ‘have discussions’ in the room. We continued to observe the first little boy and began to think how different a child would look at the Cathedral, in comparison to someone of our age. I knew at their age I found places like the Cathedral extremely boring and quite scary places. What did that little boy think?

After spending around 5-10 minutes in Chapter House, we decided to go to the Cathedral Cafe and listen in to more conversations. Whilst we were there, we found it quite hard to listen in without seeming overtly obvious. Instead, we began to write down any ideas or places that seemed to spark any of our interests during the day. Here are some of the things we listed to look at or research further:

  • Looking at the space with a child-like mindset – interview children about some of the pictures (below) we have taken surrounding the Cathedral?
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Photo Credit: Charlie Roberts, February 2015.

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Photo Credit: Charlie Roberts, February 2015.

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Photo Credit: Charlie Roberts, February 2015.

  • The Archways around the Cathedral – Stepping back in time, like a time capsule: the old and the new.

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  • The Hut, or ‘pixie’ hut as we referred to it outside the Cathedral – what myths does it have. Could we combine fact and fiction into our piece?

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  • Alfred Lord Tennyson statue – research some of his poems and reflect them back into the space in some way.

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  • The picture of the man’s head coming out of the wall. What is his story?

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  • Layers of perception – photo within a photo idea from our previous session.

Our job now is to do further research into these ideas and see which one sparks the most interest.