Working 9 til 5!

Hi all,

After many weeks of piecing our little moments together on a trial and error bases im pleased to say we are finally decided on our end product (so far).

Our piece having many names ‘the secret garden group’, ‘the pottersgate group’, ‘the potters’ to our final title ‘the clay walkers’. Being titled ‘the clay walkers’ should give the participants a better understanding of what we are doing, which is:

We are going to be separated into three different areas. Someone will start at Pottersgate measuring out lumps of clay (or in our case salt dough) and this person will be greeting our participants explaining the tasks and handing them the clay. Another person within our group will also start the day at Pottersgate as this person is going to be taking the participants up to the secret garden with their clay. The third person in our group will be starting in the Secret Garden. This person will be inviting the participants to put their clay on display with the others and ask them if they would like to stay a while maybe to have a drink with us and enjoy the beautiful scenery. This person once doing all this will then make their way down to Pottersgate to swap roles with the person stationed there. The person stationed there becomes the person that takes the participants to the secret garden and the person who took them to the secret garden last stays in the secret garden until the ‘walker’ gets there. This should rotate all day.

So what are we actually doing with the clay?

We would like our participants to meet us at Pottersgate where we hand them a piece of clay. We would like them to make a figurine of how they see themselves. They have as much time to do this as they want. When the ‘Walker’ within our group gets to Pottersgate they also make a figurine. When the ‘Walker’ is finished they ask the participants if they would like to follow them to display their figurine within the Secret Garden. If they are not ready, they simply stay there, the ‘Walker’ heads off anyway, leaving the participants to wait for the next ‘walker’.

So where did this idea come from?

We have been playing around with our sites for many weeks looking in depth in their historys and stumbled across and tried many ideas but we have always gone back to what we knew from the second week was that Pottersgate was once a communications portal that potters from different places outside the city would come through to bring their goods to sell within the town. Knowing this and being in the area we finally felt that pottery is what we intended to do. The idea of asking the participants to sculpt themselves is inspired by Antony Gormley’s instalation piece “FIELD FOR THE BRITISH ISLES”. “Antony Gormley’s FIELD FOR THE BRITISH ISLES is a startling and arresting sight: thousands of unglazed, fired, small clay figures, standing closely together, all staring towards the viewer and filling a large enclosed space. There are more figures than can be counted, more still disappearing out of sight into a further space. Their number seems to be endless.” (Searle, 1996).

When is this happenining? What is the duration of the piece?

We are performing this on Wednesday 6th May 2015. The duration of the piece will be eight hours long, we are starting at 9am in the morning and finishing at 5pm at night. This is because we are essentially working potters and we would like to do this within the working hours of the day which is usually 9am until 5pm.

Bibliography:

Searle, A. (1996) Antony Gormley: Field for the British Isles. [Online] London: Hayward Gallery. Available from: http://www.antonygormley.com/resources/essay-item/id/108 [Accessed 25 March 2015].

 

 

 

Ritual performance to Conan

Today was a nerve racking day to the whole group, as today was the day we presented our ideas and site work/research to Conan (Module Leader). Being short on members within our group we felt a little under pressure. However upon reflection with informing our ideas I was pleased that Conan with Rachel included like the idea of a misguided tour with rituals connected to the history of the potters that worked on the uphill section of Lincoln dating back to 14th Century.

As a suggestion by Conan is to make the most of the open space that the ‘Secret’ Garden has to offer with the connection of rituals idea. One thing that has always stood out for me was the open fire place within the garden, back in the beginning  of this module I thought it would make a brilliant puppet theatre. However today Georgia & I agreed with Rachel & Conan that it makes a better connection to the original kilns that would of been used by the potters.

One thing that didn’t work out well with the connection to the misguided tour was the walk up to St Anne’s Well located behind the cathedral. If the well wasn’t locked up it would of made a perfect link as the water supply for the Potters clay to keep it moist and wet.  Also basing our performance around P.Pinkering would make the misguide more of a drama performance than site specific.

Think now we have a strong idea with site, more research and testing (playing around is needed) next week within the garden.

Till next time

 

Bye

Its the uphill climb

So Monday just gone we had the wonderful opportunity to have a guided tour (or drifting) of uphill lincoln by Rachel. Which was an amazing thing to explore and really got me thinking about life and death. Strange I know however here are my two reasons;

Death – walking up steep hill on a Monday morning for 9am in the freezing cold! Okay I’m being a little to dramatic but at the time I thought I could of ended my life.

Life – overlooking Lincoln from a viewing point near the cathedral & castle I felt like God looking over the world. It made me appreciate the uphill climb of the famous killer steep hill.

When I used to live in Lincoln as a child. I never really enjoyed the buildings and historical facts that were connected to the uphill section of Lincoln. But after the drift I discovered a lot more that got my creative juices flowing!

“To be a place, every somewhere must lie on one or sereval paths of movement to and from places elsewhere. Life is lived, I reasoned, along paths, not just in places, and paths are lines of a sort“. (Ingold, 2007,p.2)

This quote links to a task we were set in the gardens of the old Victorian mental asylum located west of the castle. As a group we collected a twig/stick each and followed it. My stick had three main paths to choose from . I picked the middle path which led me to some broken yellow foam from a dog ball or lemon skin.

Lemon Skin or Broken Foam Ball

 

 

 

 

 

 

After walking around the cathedral and the secret garden it made me and a couple of friends decide that we felt connected with this site. The garden felt like a place you would enter after you’ve passed like God’s waiting room. I think it’s connected more by religion as the garden is right next to the cathedral’s door to heaven.

I’m looking forward to doing some more research into the site(s) on Monday but not as excited about the walk up the hill again.

Till next time…

Ingold, T. (2000) The Perception of the Environment: Essay on Livelihood, Dwelling and Skills (London, Routeledge).